AbstractsAbstracts and related materials will be uploaded by July 1, 2022.
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Panel 1
Mary Christian, "The Wrath to Come: Revisiting Bunyan in Too True to be Good"
John McInerney, "Shaw's Too True to Be Good: A Late Experiment?"
Daniel Abdalla, "The Girl Who Goes Out: Women and Heredity Onstage in Edwardian Britain"
Panel 2
Brigitte Bogar, "Operatic Adaptations of Shaw by Philip Hagemann"
Jean Reynolds, "Win, Lose, or Draw: Energy Sources in Major Barbara"
Yulia Skalnaya, "An Extravagant Take on Shaw's 'Political Extravaganza': The First Soviet Translations of The Apple Cart"
Panel 3
Vishnu Patil, "Between the Formal Symbolic Structure and Positivity of the Object: A Study of Shaw's Pygmalion and Tagore's Chitra"
Arnab Banerji, "Is It Tagore's Time Yet? Rabindranath Tagore's Theatre and Its Continued Relevance"
Kay Li, "The Doctor's Dilemma as Immersive Theatre Adaptation"
Mary Christian, "The Wrath to Come: Revisiting Bunyan in Too True to be Good"
John McInerney, "Shaw's Too True to Be Good: A Late Experiment?"
Daniel Abdalla, "The Girl Who Goes Out: Women and Heredity Onstage in Edwardian Britain"
Panel 2
Brigitte Bogar, "Operatic Adaptations of Shaw by Philip Hagemann"
Jean Reynolds, "Win, Lose, or Draw: Energy Sources in Major Barbara"
Yulia Skalnaya, "An Extravagant Take on Shaw's 'Political Extravaganza': The First Soviet Translations of The Apple Cart"
Panel 3
Vishnu Patil, "Between the Formal Symbolic Structure and Positivity of the Object: A Study of Shaw's Pygmalion and Tagore's Chitra"
Arnab Banerji, "Is It Tagore's Time Yet? Rabindranath Tagore's Theatre and Its Continued Relevance"
Kay Li, "The Doctor's Dilemma as Immersive Theatre Adaptation"